As the song ends, and the next starts, we are transitioned into a guitar and drum beat accompanied by a simple trumpet melody. The auto-tune adds to the uneasy listening, and makes you stop and listen to the song and words. Near the end of the song, we are teleported into an auto-tune, off-putting area, which I didn’t like on my first few listens, but grew on me. The album opens with the first song, “Where the Money Flows,” a spacy, vibey, song with soft vocals commenting on capitalism and demonetization, the disaster that occurred in India in 2016. Peter Cat Recording Co currently has two albums out, “Portrait of a Time: 2010-2016” and “Bismillah (2019).” Their most recent album has ten songs, each with fuzzy guitars, clear trumpets, and the soft crooning vocals of the main singer, Suryakant Sawhney. According to their self description, they play all types of music from “from gypsy jazz to psychedelic cabaret ballroom waltzes to epic space disco bossa supernova to uneasy listening,” as they said in their Spotify self-description. The band consists of five members, Suryakant Sawhney, Karan Singh, Dhruv Bhola, Rohit Gupta and Kartik Sundareshan Pillai. Peter Cat Recording Co is a Delhi based band founded in 2009. Looking back at past music, you can often find gems, such as the album I’m reviewing. The next step for synthetic beings like these is to create music on their own – that is, if they can get the software to shut up about Jesus.With new albums coming out each month, we sometimes forget to look back on music from the past few years. Most recently, producer Baauer – who topped the US charts in 2012 with his viral track Harlem Shake – made Hate Me with Lil Miquela, an artificial digital Instagram avatar. The arrangements on Mexican composer Ivan Paz’s album Visions of Space, which sounds a bit like an intergalactic traffic jam, were done by algorithms he created himself. Pop’s chief theoretician, Brian Eno, used it not only to create new endlessly perpetuating music on his recent album Reflection but to render an entire visual experience in 2016’s The Ship. Musicians – popular, experimental and otherwise – have been using AI to varying degrees over the last three decades. But AI is increasingly being asked to compose music itself – and this is the problem confronting many more computer scientists besides Dadabots. The Guardian thinks that AI is changing music for good.Īrtificial intelligence is already used in music by streaming services such as Spotify, which scan what we listen to so they can better recommend what we might enjoy next. Thoughts?Ĭall me old-fashioned, but while WaveAI calls this “the democratization of songwriting,” it feels like a watering down of the whole thing, another example of handing over creativity to a soulless machine.īut not everyone agrees. Alysia generates the lyrics and melody.Īs a proof of concept, WaveAI has released a three-track EP created by Alysia to show that anyone can write a song with just a smartphone.Choose a background track in the style you prefer.Can artificial intelligence be harnessed to make proper art? A startup called WaveAI has an app called Alysia that anyone can use.
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